Focusing on the resurgence of family stories in fiction, autobiography and in film, this study challenges the institutional boundaries of Germany's memory culture that have guided and arguably limited German identity debates. Essays on contemporary German literature are complemented by explorations of heritage films and museum discourse.
Together these essays put forward a compelling theory of family narratives and a critical evaluation of generational discourse. In approaching German literature and film from a transgenerational perspective, Fuchs considerably enriches our understanding. It is energetically written and will inspire colleagues and students alike.
Anne Fuchs - Wikipedia
This book represents an attempt to start a dialogue in the scholarly community on these interactions and their effect on Irish culture. Linde Lunney: Reading and orality in early nineteenth-century Ulster poetry — James Orr and his contemporaries.
- Fuchs, Anne [WorldCat Identities].
- Fuchs, Anne [WorldCat Identities].
- Stop Here: A Novel?
- Phantoms of War in Contemporary German Literature, Films and Discourse | Ebook | Ellibs Ebookstore.
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In recognition of its excellent scholarship and presentation, the significance of its contribution to its academic field, and its value as an important treatment of a subject area, Phantoms of War in Contemporary German Literature, Films and Disclosure, by Professor Anne Fuchs has been selected as an outstanding academic title for by Choice, the official publication of the Association of College and Research Libraries. This year's Outstanding Academic Titles list includes titles in 54 disciplines and subsections selected from approximately 7, scholarly titles reviewed by Choice during Choice editors base their selections on the reviewer's evaluation of the work, the editor's knowledge of the field, and the reviewer's record.
Serie: New Perspectives in German Political Studies
According to Professor Fuchs, since German unification in , a new discourse has emerged about familial origins, legacies and issues of generational identity, which also readdresses important questions of historical agency, choice and responsibility from the perspective of unification. Asking why the disturbance of tradition remains an agitated topic, in this new study Anne Fuchs offers in-depth interpretations of major works by established and newer authors as well as a range of films and recent historical debates.
By exploring the rediscovery of family origins and traditions, and examining the fashionable concepts of generation and genealogy, the author develops an original theory of family narratives, a category situated at the intersection of public and private discourses.
Her interdisciplinary approach is exemplified in a major chapter on resistance narratives where she engages with museum discourse, historiography, autobiography, fictional works and films in order to illuminate how, from the Cold War period to the Fall of the Wall, both East and West Germany attempted to construct a positive moral legacy, facilitating identification with post war society. Stone monuments and objects are highly accessible today and formed a focus for engagement, transformation, and re-use in the past. Stone is inextricably linked to ideas of monumentality and remembrance.
It formed an active medium in the creation of identities and memory in a range of social contexts and practices, including the embodied, performative, and incorporated practices of daily life. It can be argued that the material presence and physical character of stone objects and monuments were not only actively harnessed in these encounters, but were the very stuff from which social relations were derived, perceived, and thought through.
This volume explores the power and effect of stone through the meanings that emerged out of people's engagement and encounters with its physical properties. Focused primarily on the Neolithic and Bronze Age of Atlantic Europe it brings together authors working on the materiality materialitas of stone via objects, rock art, monuments, and quarrying. This highlights the connections that cross-cut what are traditionally seen as disparate research areas within the archaeological discipline. Much has been said about the relationship between globalization and culture and the political implications of that relationship.
There has been little effort made, however, to investigate the effect of globalization on poetics or on the ethical moment of literature. World Writing is therefore concerned with studying the intersection of contemporary ethics, poetics, and globalization through historical and critical readings of writing from various parts of the world.
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